Everyone's favorites, Slouch and KRTS are back in the mix with a full lineup at Public Assembly, which is respecting the old Galapagos name and filling the bills with some great beats. Should be a great show, starts at 10pm and it's only 10 bucks. Get to their websites for more info: Slouch KRTS
AVAAZ can be described, as taken from their moniker: Electro Global Discotek. An organization dedicated to cultural partying with some South Asian flair, as the tuxedo'd MC got the crowd in on the up and up while the DJs were spinning mid-tempo mixes with a bit of drum 'n bass and jungle thrown in for a global measure. Scenes like this always make me want to don glow in the dark contacts and make like Nas in the beginning of Belly with the pulsating beats as theme music.
The parties happen monthly and Public Assembly is a good place for it (the former Galapagos, which is now in DUMBO) with it's lax bar but nice pool in front and plenty of space to gyrate (although the crowd was a bit sparse at times depending on the set). This time around they threw in a curveball and some of New York's finest, Zero Bridge, put on a terse and forceful 40 minute set of an impassioned mix of U2 and indie pop sound with a hint of The Clash. Pushing through with tunes like their newest single "How Long" and "Late Bloomer", mixing 'manifesto' cuts with the lead singer Din's commanding prescence (being tall is advantageous), and you have a really nice rock concert in the middle of all the electro pulses. Mo, the drummer/kid brother of Din, headbanged like a wily teenager which was great, and backed by former Orange 9mm bassist Greg, they quickly got on track after the first song's timing was off initially.
The crowd was taken aback by it a little but Zero Bridge is very danceable and judging by how many people congradulated them afterward, AVAAZ gave their shimmiers a little taste of rock and Zero Bridge in turn won new converts.
And then afterward the accomplished British actor/rapper (Path to 9/11, Deadset) Riz MC transitioned things back to the gyrating hips with a short set, rollicking along with chaotically fast beats and polemics. His style didn't translate well to the denizens of this party but, at the same time, gotta appreciate and give props to pushing the pace like an unruly spin class. He's big across the pond and I'm glad I got to see him rap.