So here we are at the final part, the not so dramatic but very amusing finale to a tale of two shakes.
Go to their YouTube channel for more artsy fartsy sketches.
Thursday, October 30, 2008
Friday, October 24, 2008
Bar Spotlight (Football Season Edition): Cody's Ale House
Cody's Ale House
154 Court Street, just south of Atlantic Avenue
Cobble Hill
(I forgot to put these addresses to start!)
Cody's is quite simply one of the best bars I've been to to watch the games on Sunday. You have Sunday Ticket, plenty of TVs all around (although the quality and color temp varies) at different angles for great viewing lanes. It's crowded but never too much so, and beyond the numerous Steelers fans, you have most teams represented here. There's zero tolerance for unruliness or obnoxious behavior or spats between rival teams. But it's different than say, 200 Fifth.
Nestled in Cobble Hill only two blocks off Atlantic, it's fairly nonchalant from the outside, you may even pass by it without noticing the crowd inside. The bar is cozily shaped on the right with two levels of TVs by the bar, a string of tvs by the high tables on the left, and a few TVs in the back on the plateau'd table area where if you're lucky you can grab with a few friends early.
The staff here is top notch, these guys love the game and you don't even have to say anything, if you're perched near a TV and they see you have a particular team's apparel on, they'll make sure the TV near you has your game on, and your first pint comes with a "good luck" as well. That's the shit right there, you know you're in for a good time a great establishment (that has a rotating cheap pint, can you say Amber Bock for 3.75 last week?). People here are friendly and nobody really looks out of place. You'll see the regulars kind of hunched at the front of the bar and then sporadically the cornucopia starts. I actually was offered a seat so I could eat my food at a high table where the dude's girlfriend left to run an errand for a few minutes and he was like, "yo you should sit down, she won't be back for a while". Then, when she got back and I got up, they were like, "no worries I'll just pull up another chair". Oh Cobble Hill.
The waitress is SUPER nice and she knows how to work the crowd, and by that I mean she's always on the move and comes around often for refills and has no problem even if I just want a Diet Coke, she'll grab it for me.
The food ain't half bad either; I enjoy the chicken fingers and the calamari is decent. The salads are pretty fresh as well if you're looking for something a bit healthier.
There are no pretentions here, or even outlandish behavior, it's one of the most civilized bars for football that I've been to with this amount of a crowd. Most of the women here are decidedly short and cute as well, although during the weekday there's not much atmosphere, this is definitely very high on my list every Sunday when I'm picking a spot to hang.
The picture below is old; the TVs on the pigeon stands above the bar have been replaced by flatscreen TVs, and the back section with the tables has also been equipped with 4 TVs, one on each wall.

Folks it doesn't get any better than this really.
You can check out Cody's on Yelp here.
154 Court Street, just south of Atlantic Avenue
Cobble Hill
(I forgot to put these addresses to start!)
Cody's is quite simply one of the best bars I've been to to watch the games on Sunday. You have Sunday Ticket, plenty of TVs all around (although the quality and color temp varies) at different angles for great viewing lanes. It's crowded but never too much so, and beyond the numerous Steelers fans, you have most teams represented here. There's zero tolerance for unruliness or obnoxious behavior or spats between rival teams. But it's different than say, 200 Fifth.
Nestled in Cobble Hill only two blocks off Atlantic, it's fairly nonchalant from the outside, you may even pass by it without noticing the crowd inside. The bar is cozily shaped on the right with two levels of TVs by the bar, a string of tvs by the high tables on the left, and a few TVs in the back on the plateau'd table area where if you're lucky you can grab with a few friends early.
The staff here is top notch, these guys love the game and you don't even have to say anything, if you're perched near a TV and they see you have a particular team's apparel on, they'll make sure the TV near you has your game on, and your first pint comes with a "good luck" as well. That's the shit right there, you know you're in for a good time a great establishment (that has a rotating cheap pint, can you say Amber Bock for 3.75 last week?). People here are friendly and nobody really looks out of place. You'll see the regulars kind of hunched at the front of the bar and then sporadically the cornucopia starts. I actually was offered a seat so I could eat my food at a high table where the dude's girlfriend left to run an errand for a few minutes and he was like, "yo you should sit down, she won't be back for a while". Then, when she got back and I got up, they were like, "no worries I'll just pull up another chair". Oh Cobble Hill.
The waitress is SUPER nice and she knows how to work the crowd, and by that I mean she's always on the move and comes around often for refills and has no problem even if I just want a Diet Coke, she'll grab it for me.
The food ain't half bad either; I enjoy the chicken fingers and the calamari is decent. The salads are pretty fresh as well if you're looking for something a bit healthier.
There are no pretentions here, or even outlandish behavior, it's one of the most civilized bars for football that I've been to with this amount of a crowd. Most of the women here are decidedly short and cute as well, although during the weekday there's not much atmosphere, this is definitely very high on my list every Sunday when I'm picking a spot to hang.
The picture below is old; the TVs on the pigeon stands above the bar have been replaced by flatscreen TVs, and the back section with the tables has also been equipped with 4 TVs, one on each wall.

Folks it doesn't get any better than this really.
You can check out Cody's on Yelp here.
Wednesday, October 22, 2008
Gashouse Gorillas - Death of the American Dream Part 3
Here we are, the dramatic third part of the flaming doc, Death of the American Dream, or DAD, or DOTAD.
As usual, you can see Gashouse Gorillas material on YouTube here: www.youtube.com/gashousecomedy
As usual, you can see Gashouse Gorillas material on YouTube here: www.youtube.com/gashousecomedy
Saturday, October 18, 2008
Poster Critique: Up
Let's put Pixar in context; the consistency of their work I think puts them up there as one of the great, and productive, production houses ever. The high quality animation that they churn out, they pretty much have it all taken care of, 200+ million at the box office, a constant sense of wonder with each film, incredibly respected collaborators like Brad Bird, and unique stories that allow them to push themselves artistically and in the animation field. It's the Pixar brand, and when you get to that point, you allow yourself to be included in a great circle starting with the old studio system all the way to something like the Miramax during the 1990s.


In that sense there's really not much to critique about Up; all they really have to do is slap "Pixar" on it...oh wait they did. There you go, that's reason enough to see it. But they do it again with an adorable teaser poster that hopefully has been rolled out or will roll out soon, because I'll get to the theater super early just to look at it and get all warm and fuzzy before seeing possible crap. Such as Danny Deckchair, starring the wonderfully cute Miranda Otto, and from which I'm sure the creators of Up had to have noticed, both their poster for it and the idea behind balloon flight.
Sure, the great, blue sky is wonderful and not even that daunting due to the fact that the blue is exceptionally bright. There are so many subtle things about this poster though that really make it an interesting "small object in space" kind of thing. Let's start with the placing of the title; it looks like a cloud itself, massive because the scope of the picture looks to be massive. The tilt of the font and the addition of dimension as the top is bloated really is a great, suggestive piece to bring a lot of whimsy to the poster.
Obviously also, the fact that the house is drawn so tiny with SO many balloons is a fantastic idea that only seems like it could be from a fairy tale. It floats among the clouds, and even has the gentle shadow to show that it's even above the clouds. The use of the flying house is great too, there's a small sense of movement to the right, and it makes you wonder where it's going, and not only wonder, it makes you want to know what happens to this curious house flying around. Is the house flying on their own valition? Did they try a fun experiment? Or maybe that's the story; that the house flies around on purpose, checking out the world from a distinctly non house point of view. It also reminds me of Jack and the Beanstalk, a fun story in it's own right.
The clouds also don't take up the whole sheet, the ample separate from the massive title font and the clouds on the bottom half give buoancy, as if past the clouds there's something even cooler as the house flies right.
As always the bubbly use of color and a wonderfully neutral yellow for the house (reminds me of when they are trying to pick the shade of yellow in Juno).
You can check out Up at IMDB here.


In that sense there's really not much to critique about Up; all they really have to do is slap "Pixar" on it...oh wait they did. There you go, that's reason enough to see it. But they do it again with an adorable teaser poster that hopefully has been rolled out or will roll out soon, because I'll get to the theater super early just to look at it and get all warm and fuzzy before seeing possible crap. Such as Danny Deckchair, starring the wonderfully cute Miranda Otto, and from which I'm sure the creators of Up had to have noticed, both their poster for it and the idea behind balloon flight.
Sure, the great, blue sky is wonderful and not even that daunting due to the fact that the blue is exceptionally bright. There are so many subtle things about this poster though that really make it an interesting "small object in space" kind of thing. Let's start with the placing of the title; it looks like a cloud itself, massive because the scope of the picture looks to be massive. The tilt of the font and the addition of dimension as the top is bloated really is a great, suggestive piece to bring a lot of whimsy to the poster.
Obviously also, the fact that the house is drawn so tiny with SO many balloons is a fantastic idea that only seems like it could be from a fairy tale. It floats among the clouds, and even has the gentle shadow to show that it's even above the clouds. The use of the flying house is great too, there's a small sense of movement to the right, and it makes you wonder where it's going, and not only wonder, it makes you want to know what happens to this curious house flying around. Is the house flying on their own valition? Did they try a fun experiment? Or maybe that's the story; that the house flies around on purpose, checking out the world from a distinctly non house point of view. It also reminds me of Jack and the Beanstalk, a fun story in it's own right.
The clouds also don't take up the whole sheet, the ample separate from the massive title font and the clouds on the bottom half give buoancy, as if past the clouds there's something even cooler as the house flies right.
As always the bubbly use of color and a wonderfully neutral yellow for the house (reminds me of when they are trying to pick the shade of yellow in Juno).
You can check out Up at IMDB here.
Actors in New York (not a play on that Richard Gere/Winona Ryder movie): Anna Koonin
Keeping things to this coast after talking about Marvelous Toy from Los Angeles, I figure I would bring you up to speed on the good citizens of this city.
Having been a bartender myself in the city, and knowing the kind of culture and sort of pride that many consider and get behind due to its many unique qualities and difficulties, some of the cliche is that actors find fluid and flexible employment in this part of the service industry. You employ a great smile and small talk in your arsenal while also honing listening skills and working on a timer from minute to minute, second to second. Even the act of doing something over and over again can mimic small takes where you engage in an improvised dialogue with patrons.
Anna Koonin is one such woman. Many people and friends have known her for a while now as the baroness of No Idea Bar in Flatiron, although I feel she would say she's a bit more modest than that. Knowing Anna at NYU through class and friends, and her education at that institution under Atlantic and Playwrights gives her a great classic combination of acting perspectives. See, I didn't want to just turn this into Bartender Spotlight, although that is an idea for the future to go along with the Bar Spotlights.
You may recognize her from her small part as a bartender on Guiding Light, or if you're a fan of Newsday, which along with other local publications New York can't seem to get enough of, you may recognize her as the woman with the wine tour in their commercials:
She was also a recent host on NYC TV's They're So New York program, where she got to report a piece on Rooftop Films, a non-profit indie film showcase. You can see check out the program at this link and see her bio and comments here.
She is a proud member of AFTRA (the other large film/tv actors union besides SAG) and is currently also freelancing at the legit agency Harden-Curtis. I encourage you to stop by on Wednesdays and Fridays at No Idea, a good bar in itself but surely made better by Anna's bright and appealing countenance. I understand the uphill battle that many actors face, but she's certainly got a hold on the consistency of work and I'm sure it'll lead to something great.
Some of her recent stuff is on the Midnight Talley Film's YouTube channel, check it out here.
For her official website and contact info, go here: www.annakoonin.com
Having been a bartender myself in the city, and knowing the kind of culture and sort of pride that many consider and get behind due to its many unique qualities and difficulties, some of the cliche is that actors find fluid and flexible employment in this part of the service industry. You employ a great smile and small talk in your arsenal while also honing listening skills and working on a timer from minute to minute, second to second. Even the act of doing something over and over again can mimic small takes where you engage in an improvised dialogue with patrons.
Anna Koonin is one such woman. Many people and friends have known her for a while now as the baroness of No Idea Bar in Flatiron, although I feel she would say she's a bit more modest than that. Knowing Anna at NYU through class and friends, and her education at that institution under Atlantic and Playwrights gives her a great classic combination of acting perspectives. See, I didn't want to just turn this into Bartender Spotlight, although that is an idea for the future to go along with the Bar Spotlights.
You may recognize her from her small part as a bartender on Guiding Light, or if you're a fan of Newsday, which along with other local publications New York can't seem to get enough of, you may recognize her as the woman with the wine tour in their commercials:
She was also a recent host on NYC TV's They're So New York program, where she got to report a piece on Rooftop Films, a non-profit indie film showcase. You can see check out the program at this link and see her bio and comments here.
She is a proud member of AFTRA (the other large film/tv actors union besides SAG) and is currently also freelancing at the legit agency Harden-Curtis. I encourage you to stop by on Wednesdays and Fridays at No Idea, a good bar in itself but surely made better by Anna's bright and appealing countenance. I understand the uphill battle that many actors face, but she's certainly got a hold on the consistency of work and I'm sure it'll lead to something great.
Some of her recent stuff is on the Midnight Talley Film's YouTube channel, check it out here.
For her official website and contact info, go here: www.annakoonin.com
Labels:
actor,
AFTRA,
anna koonin,
bartender,
guiding light,
new york,
newsday,
no idea
Thursday, October 16, 2008
Gowanus: The Last Vestige for Ar-teests?

If you're looking for something other than the Brooklyn Flea to go to this weekend, Gowanus is having their annual more-artists-than-you-can-shake-a-paintbrush-at tour where you can observe artists of all sorts in their natural habitats. It's called A.G.A.S.T., Annual Gowanus Artists Studio Tour, and it's this weekend on Saturday and Sunday from 1pm to 6pm, absolutely free.
Gowanus itself has always had an interesting desolation on many of its blocks that is unique to Brooklyn considering the neighborhoods they border. It's like a slightly less fun version of walking around parts of southern Soho/northwest Tribeca, where past industrial activity no longer seems prevalent but there's still the remainders, a lone truck, littered coffee cups, etc.
I can imagine that some cool art is going to be hanging around, I think there are particular inspirations and impressions that many of the artists probably draw from. You can preview all of the participating artists, join yourself, or sign up to volunteer at the official site below. The tour is set up by the Brooklyn Arts Council.
Official site: A.G.A.S.T.
Marvelous Toy - Out of the West and into your ears
I sometimes enjoy lo-fi sounds paired with big sonic tastes and lots of instruments thrown together; a band like Saturday Looks Good To Me comes to mind, with their idea that in the golden days of music, well, we recorded and felt the instrumentation more. Then you have bands that really push it onward and upward with a kind of "the bigger the better" mentality I feel, with Flaming Lips and Arcade Fire.
Marvelous Toy hails from different parts of Los Angeles, bringing together a few different sounds that are altogether far away from the pulsating pop or vacuous rock or g-funk rap...or snotty third wave ska (hey ska still love ya). Their angle is really to inject an already full-of-imitators genre with some Western twang, and I don't mean southern country, but a Western western twang, reflecting beauty and starkness from times on a "frontier" of some sort. Jordan Hudock's vocals, I thought at first on their song "You Were Brighter", was trying too hard to channel an indie Johnny Cash minus the deadpan, natural calm Cash's voice brings, but on "Twice the Speed", he really succeeds with a steady delivery and good emotion. On "Waiting For The Fire" the falsettos and chorus do a poor man's Shins.
The keys also keep things old timey down-to-earth or conversely add a pronounced orchestral touch, and some lulling backing vocals from cutesy Ny Lee kind of make you wish you were watching a sunset with a beer, maybe in Silverlake, maybe in the woods, maybe just anywhere.
At the core, they fuse this western aesthetic with slow pop progressions, you know, to mimic being contemplative. While not punchy with their switch ups and bridges, they certainly pull through with a lush sound that I'm sure a band with more members and verve like Arcade Fire could admire. They describe their sound as "a washing machine" but I think they can admit to a more calculated delivery than that.
I'm curious to see where they go from their EP "All Is Quiet", with it's silhouette flowery late sixties San Fran vibe artwork; maybe lyrically they'll inject some uppers and the music will follow. Only in the west I guess.
Marvelous Toy will be playing a Halloween show at R Bar with Les Blanks, The Voyeurs, The Hectors, and Fol Chen. Not a huge fan of the mopey music video but I'm sure live they'll throw a few smiles.
Suggested Track: "Twice The Speed" (not on the EP)
Visit their MySpace page or you can buy here at Amazon.
Marvelous Toy hails from different parts of Los Angeles, bringing together a few different sounds that are altogether far away from the pulsating pop or vacuous rock or g-funk rap...or snotty third wave ska (hey ska still love ya). Their angle is really to inject an already full-of-imitators genre with some Western twang, and I don't mean southern country, but a Western western twang, reflecting beauty and starkness from times on a "frontier" of some sort. Jordan Hudock's vocals, I thought at first on their song "You Were Brighter", was trying too hard to channel an indie Johnny Cash minus the deadpan, natural calm Cash's voice brings, but on "Twice the Speed", he really succeeds with a steady delivery and good emotion. On "Waiting For The Fire" the falsettos and chorus do a poor man's Shins.
The keys also keep things old timey down-to-earth or conversely add a pronounced orchestral touch, and some lulling backing vocals from cutesy Ny Lee kind of make you wish you were watching a sunset with a beer, maybe in Silverlake, maybe in the woods, maybe just anywhere.
At the core, they fuse this western aesthetic with slow pop progressions, you know, to mimic being contemplative. While not punchy with their switch ups and bridges, they certainly pull through with a lush sound that I'm sure a band with more members and verve like Arcade Fire could admire. They describe their sound as "a washing machine" but I think they can admit to a more calculated delivery than that.
I'm curious to see where they go from their EP "All Is Quiet", with it's silhouette flowery late sixties San Fran vibe artwork; maybe lyrically they'll inject some uppers and the music will follow. Only in the west I guess.
Marvelous Toy will be playing a Halloween show at R Bar with Les Blanks, The Voyeurs, The Hectors, and Fol Chen. Not a huge fan of the mopey music video but I'm sure live they'll throw a few smiles.
Suggested Track: "Twice The Speed" (not on the EP)
Visit their MySpace page or you can buy here at Amazon.

Labels:
EP,
folk,
indie,
los angeles,
marvelous toy,
music,
pop,
twang,
western
Tuesday, October 14, 2008
Do Ya Like Mashups? Well Do Ya Kid? Toy Story and The Dark Knight
This one is really good, I enjoy it when they use the real audio from one trailer and are able to synch it, although it's considerably easier with animation of course.
T-Rex and Mr. Potato Head, watch for their lines.
T-Rex and Mr. Potato Head, watch for their lines.
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